helloitsbees:

sketchdeath:

everyone in the 80s was like fuck ending this song

dankmemeuniversity:

memewhore:

his-shining-tears:

I bring yo snakk

cort3d:

axolotl in a bucket!

maxdowt:

candyredterezii:

afloweroutofstone:

Tea party

teaboot:

wannacuppatealuv:

Still trying to come to terms with the fact I’ll never be a librarian who can speak a dead language and be recruited by a ruggish but handsome explorer for a quest to lift the curse and save the world

Well not with that attitude you won’t

everythingfox:

Skater boii

(via)

official-lucifers-child:

punchingnazis:

The staff unanimously agrees to post this without further comment, in that no further comment is necessary.

me: oh haha like “stop the count” yeah

me: *sees the blog name*

me: :O

me: :D

petslife101:

Cockatiel singing a Zelda song with vegetation on its head - cute animal

klausharrgreeves:

Fabulous party. You know I haven’t seen this much love in a room since Narcissus discovered himself.

Hercules (1997) dir. Ron Clements and Jon Musker

miseducatedmelanicmuse:

Afrocentric noses are beautiful, don’t you ever think otherwise.

ruderickrude:

Annoying everyone with my new obsession

beyonceknowless:

Because DreamWorks was concerned about theological accuracy, Jeffrey Katzenberg (former Disney chairman) decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help his film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.

The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.

Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.

THE PRINCE OF EGYPT (1998)